a verb as proxy for place

Artists

Victoire Poumadere
Organized by Tiffany Yau
Jeffrey Yip
Adrian Clutario
Diana Li
The Future of Memory
Jody Stillwater
MACROWAVES
Manny Robertson
Robin Birdd
Santino Gonzales
Tiare Ribeaux
Tina Kashiwagi
Victoire Poumadere

Organized by Tiffany Yau

The global pandemic and quarantine collectively isolate us with orders to shelter in place, to stay home. We retreated, we escaped, we returned, and many of us discovered ourselves suddenly displaced from our lives. Certainly uncertain, quarantine living involves a degree of slipperiness, in which the parameters of place feel hazy. It is often unclear whether we are here or there, now or then.

Still we open the windows on our home screens, connect to the checkered architecture of friends, loved ones, strangers, framed by the grid. The 3pixel bordered walls render us connected as much as they keep us apart.
Go home
A reckoning of longing and belonging. When the pandemic hit, the resulting cracks led to outpours of something that had been brewing much deeper, for much longer. Barbed rhetoric inspired taunts to “go back to where you came from.”

But to where do we return? Where does one ever really belong? If here and now feels uncertain, then how do we re-envision the shape of home?
回 (hui, return)
Perhaps, instead, we can reframe home through 回 — a verb as proxy for place.

A character that frames a space to which we return, to go back, to will.

A space that holds a center within a center; a hole inside a whole; enclosed in two-dimensions that opens again in three.

Together, we’ve built a space that both collapses distance and defies containment. Here, artists map the contexts of existence by examining identity, place(less)ness, diaspora, an eternal return towards a home always on a horizon.
Together, we’ve built a space that both collapses distance and defies containment. Here, artists map the contexts of existence by examining identity, place(less)ness, diaspora, an eternal return towards a home always on a horizon.

Hosted solely online via a networked virtual gallery, the exhibition explores new ways to reimagine our relationship with communities and place in an increasingly virtual world.

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RETURN
The global pandemic and quarantine collectively isolate us with orders to shelter in place, to stay home. We retreated, we escaped, we returned, and many of us discovered ourselves suddenly displaced from our lives. Certainly uncertain, quarantine living involves a degree of slipperiness, in which the parameters of place feel hazy. It is often unclear whether we are here or there, now or then. Still we open the windows on our home screens, connect to the checkered architecture of friends, loved ones, strangers, framed by the grid. The 3pixel bordered walls render us connected as much as they keep us apart.
This project was created by artists, designers, architects, writers, and children of immigrants who call and have called the Bay Area home. We acknowledge our time here as guests of the unceded land of the Chochenyo Ohlone.

We stand with families seeking asylum and who dream of a new home. We stand for black lives, for black joy. We dream of a better world that can provide shelter for our houseless neighbors. We dream of a world with no borders, no boundaries.

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